TypeCon Highlights

August 25, 2008 by Renata

School is out, TypeCon is in
It must be strange to take time off, including a full weekend, to attend a conference in Buffalo, NY, about typefaces. Yes, three full days talking about typefaces, and it’s amazing how much there was to talk about.

I thought three days were not really enough, so I arrived early and attended two-full day workshops. The first one: Experimental Type with Michelle Bowers, on thursday. Where we made a big mess creating type from all sorts of different materials, from pipe cleaners to bagels. The idea was to experiment freely in the morning, playing with our hands, the afternoon was spent focusing on finishing one idea.

I played with pipe cleaners, foam, the hot glue gun and the photocopier.

Grass Type Made with Clean Pipers

Upper Case A Made with the Hot Glue Gun

The word “eca” means “yuck” in Portuguese. Made with the hot glue gun.

Photocopied hot glue letters.

Foam letters

Foam letters turning evil

Photocopied foam letters

Thinking about thinking
The next day’s workshop was with designers from NLXL from the Nederlands. We spent the day “Thinking About Thinking” over a series of 5 exercises where we had a problem and an idea for the approach to find different solutions. By taking different approaches, the brain finds different patterns of association, therefore giving out different outcomes.

But wait there is more
The rest of the conference was a mix of unusual topics (at least if you are not a type designer), famous faces and inspiring lectures. We were all inspired by Stephan Sagmeister, NLXL and Eric Spiekerman, but it was during the day were the hidden gems were unvailed. Here are just some things I learned in a weekend in Buffalo.

Movable type
Jakob Trollbäck from Trollbäck + Company presented “Choreography for Type”  filling the otherwise silent and static room with their beautiful work. A very good excuse to watch more television.



Type DNA
This was so amazing you had to wonder why no one thought of this before—a simple system of glyphs to annotate DNA strings from father and son: Anthony Rozak (University at Buffalo) David Rozak (United States Army Medical Research Institute of Infectious Diseases, Fort Detrick, MD). Some photos here.

Go to beer to get this type
If you don’t know Sudtipos from Argentina, you should. They sell most of their typefaces on Veer. Or as they pronounce it down south “Beer”. Their niche is script, or as Alejandro Paul said on his lecture, typefaces for packaging, but of course you can use it on anything else. Their new typeface Affair has so many alternate characters it will make your head spin.


Type critiqued
Sunday came too soon and I had signed up for the famous TypeCon TypeCrit. This year Matthew Carter did not attend and instead Mr. Mike Parker from Font Bureau took the expert chair along side Mr. Akira Kobayashi (Linotype) and John Downer. I had the first spot of the critique and showed my type hesitantly. It was a humbling and encouraging experience. (photos Frederico Antunes and Eben Sorkin).

By John Downer

On my way to the Type Critique

Photo by Eben Sorkin

Taking notes

Photo by Frederico Antunes

Happy it’s over


Renata Graw, John Downer and Mike Parter. Photo by Eben Sorkin.


Plural at Typecon
Our Ampershirt was sold at the typeCon store.

TypeCon Store

Plural also had work exhibited at the Type Gallery
(sponsored by You Work For Them)

The Ex Show Poster / Plural Store launch one week away

August 22, 2008 by Jeremiah

This past sunday, Icy Demons (the band that Chris and I play in), got the opportunity to play with 70’s punk legends The Ex and Ethiopian jazz saxophonist Getatchew Mekuria. Needless to say, they put on quite the show, and we were glad to be there. For the show, Plural put together a limited edition series of 2 color silkscreen posters to remember the event. So… people that attended the show/s, enjoy The Ex and Getatchew, or just like the poster, can have one for themselves. Coming soon to the Plural store…

The moon through a telescope

August 21, 2008 by Jeremiah

About a week ago, I was invited to close-by Indiana to catch the annual Perseids meteor showers. Though the showers were sparse that night, we were fortunate enough to be accompanied by a park ranger, who told us everything he knew about the constellations and their legends. He also happened to bring his telescope with him, where i snapped this quick pic…

AIRWALK

August 13, 2008 by Chris

We were in Pittsburgh a few weeks ago after a show, and I spotted these bad boys* when we were staying with Paul Quattrone (drummer for !!!, Modey Lemon, Italian Ice, Midnite Snake). I wonder if its his pair? Word up Paul!

* (and noticed that Milton Glaser’s Baby Teeth (or a copy) is used for the AirWalk logo)

ICY D’s / NYC

August 13, 2008 by Chris

Brooklyn Vegan reviews the Icy Demons performance at the Knitting Factory with Extra Golden, 7.29.08

Basel Rooftop / Armin Hoffman impressions

August 12, 2008 by Chris

Renata and I looking at Armin Hoffman\'s impressions

Plural Store, coming very soon…

August 12, 2008 by Jeremiah

Seattle Summer

August 12, 2008 by Jeremiah

This past June, I made my way out to Seattle to visit Plural’s good friend and up and coming Chicago artist, Shannon Benine, while she was back in her hometown. Besides giving me a spectacular whirlwind Seattle tour, Benine currently has an installation up in the Woolworth windows in downtown Tacoma. Part of an ongoing series sponsored by Tacoma Contemporary, Benine’s 03.19.03 explodes into the street with an impact that is both visually and emotionally striking. Marking the beginning of Operation Iraqi Freedom, 03.19.03 is “an installation consisting of hundreds of 10 x 10 inch unfolded photograms of peace cranes, pinned to the walls and floors, covering the entire exhibition space.” The 267 unfolded peace cranes represent the number of casualties with ties to Washington state since the beginning of the war. With a subject matter that is always difficult to swallow, Benine brings a unique and beautiful angle to this often overdramatic type of work. For more information visit shannonbenine.com

Upon my first visit to Seattle, a little over a year ago, I realized that I had missed a few key gems that – as a graphic designer – I should be embarassed to have missed. So, this time around, I made sure my itinerary prioritized the Seattle Central Library and the SAM Olympic Sculpture Park before Gas Works Park, the Space Needle, and future landmark, Thai Tom’s.

In addition to Seattle’s city offerings, we were lucky enough this time to spend a night in a cabin on peaceful Whidbey Island before heading for Deception Pass and on to the city. (There are just some things the concrete jungle can’t satisfy, and I think double sky is one of them…)

Whidbey Island /

Deception Pass /

It’s not often that one would take a trip to a library to see the library itself. The experience of the Seattle Central Library, designed by stellar architect Rem Koolhaas, is like no library experience I’ve ever imagined. Everything from the parking garage to the ceiling fans to the urinals coexist in absolute harmony.

Seattle Central Library /

Seattle is probably more well known for its underground tour than its architecture, however, there are a few architectural gems besides Rainier Tower and the Space Needle, but not too much more…

The EMP by Frank Gehry /

Luckily, while visiting the SAM Olympic Sculpture Park, I was able to catch a great installation by Geoff McFetridge, that ran from March 29, 2008–August 2, 2009, showcasing his insightful and clever illustrations, prints, and sculptures.

The SAM Olympic Scuplture Park /

Geoff McFetridge /

Seattle, whether its raining or not, brings together the best in the northwest. Culture, Nature, and boats year round.

South Michigan Ave

August 7, 2008 by Chris


Axel Peemöller

August 5, 2008 by Jeremiah

With a name like Axel, you’re sure to stumble upon something intense. Meet Axel, 31 year young graphic designer currently operating out of Hamburg. My good friend, Dan Elliott, hipped me to his work this morning, specifically, Mr. Peemöller’s work for the Eureka Tower Carpark in Melbourne. His wayfinding system beautifully unifies typography and space using the eye as a vehicle for discovery. Using anamorphic techniques, similar to the astounding works of George Rousse or Felice Varini, Peemöller transforms this concrete carhold into an amusement park for the eye. Check out the Melbourne Carpark and much more here.